Wednesday, January 31, 2007

American Mussorgsky

My writer friend Lola seems to always seems to have a big enough bag with her at all times for taking notes on actual full-sized notebooks which she seems to categorize by topic. She’s a serious note-taker, that Lola, and doesn’t appear to mess around with little notebooks. Jessi, however, keeps little notebooks by the toilet in order to capture thoughts that may arise from the collective unconscious upon first waking for a few moments on the Throne. Writers, they have systems for such things.

As much as I’d like to be so systematic, I’m a helpless random-scrap-of-paper person. I’ve tried keeping notebooks, but I forever leave them on the coffee table or lose them—I have about a half-dozen such notebooks lying around at any given time, never where I need them when I need them. When I hear something I want or need to write down for later use, I use whatever is around at the time, then expect to find it later and use it as a prompt to write something no-doubt brilliant. This means I have stuff scribbled on the backs of matchbooks or coasters or receipts or sometimes important things I actually need.

Once in a dark theatre I wrote down a few dirty references David Sedaris made, you know, so I could look them up later to see what they mean. It turns out the piece of paper I'd dug out of my purse to write on was a medical training exam I had to hand in for work that will forever go on my permanent employee record. That’s the thing—these moments often come at the inconvenient times. I fully admit that I do idiotic, careless things while driving, I’m not so bad with cell phone dialing or iPod messing or lip-glossing while careening down the highway. What’s probably going to kill me is writing while driving.

The reason all this comes up is the fact that a while ago I wrote down something I really wanted to find last night and I couldn't find it later to save my life. The four Buddhist truths of consciousness (or whatever—I lost it, after all), or maybe it was the four Tibetan words for the stages of the cosmological cycle? Something like that. Anyway, I wrote it on the back of a bank receipt while driving down Hiawatha Street during rush hour, and the search for it soon became more about the determination to find it than what it actually said.

At home, I dumped out my paper recycling bag and sifted around for it. I didn’t find it, but I did find a random scrap where I wrote down something from the Composer’s Datebook (MPR) that says, “Roy Harris had been described to him as an ‘American Mussorgsky,’ which probably intrigued the Russian-born conductor, and when Koussevitzky learned that Harris had been born in a log cabin in Lincoln County, Oklahoma, on Abraham Lincoln's birthday no less - well, perhaps he hoped the 41-year old Harris might produce music equally all-American in origin.” To which I say, What the hell? American Mussorgsky? Why, I ask you, was this so intriguing that I had to scribble it down to save it for later?

Sometimes it makes sense. In my quest last night, I came across several cool articles I’d saved, some definitions to interesting words, a few notes from Wikipedia and this lovely poem by Kim Garcia:

Eager
Above the snow, a single maple holding forth
its dying flame. Among the feats of Nature:
the wild
greening from dry bulb, sour alchemy of rot, a rusty
handprint of lichen;
the eager
space-seeking species springing up after fire,
as though they took no lesson from destruction
but to begin again, twice as joyful.

That, my friends, is beautiful. That is a writing prompt.

So, this morning as soon as I got in my car, I pretzeled my arms under and around every seat looked through cubbies and cup holders and I found it crumpled up under the driver’s seat. I at least usually stuff them in my purse, but there you go. It says:

The big crunch
World System Evolution
Emptiness
Formation
Abiding
Destruction
Eras of…
Cycle/Formation, Endures,
Destroyed, Void
[subsist, begin again].

In the end, I'm happy with my system. I don't want to force myself to keep things neat and filed away--it's not me. And don't even talk to me about getting an electronic note-taking palm pilot or any of that rediculousness. My system is creative and interesting. I find what I need when I need it. Perhaps I'm whatever an “American Mussorgsky,” is, which may be why I saved that Composer’s Datebook scrap of paper after all.

Friday, January 26, 2007

I hit my point of return.

After finals, I’m always so fried from looking at my work and trying to be creative on a deadline and to revise things that have been through so many drafts that I can’t. Look. At. It. Any. More. I want to read what I want, watch mindless TV, and decompress.

I started by trying to read books on the MLA’s top 100. I read The Great Gatsby and Lolita, both of which have a main female character hit by a car at a very convenient moment for other characters. Then I switched to science audio books stuff, which I love, but it's difficult to concentrate on string theory while I’m trying to figure out Photoshop at work. So I went to my colleague’s desk to borrow a light and brainless audiobook (not that she's brainless--she's smart and lovely), and learned, with no surprise at all, that the guy who penned this got on the NY Times Best Seller List*:

"It was in the darkest hours of the night that he most often found himself remembering his night with Lexy in the cemetery, the night he’d seen the ghostly lights he’d come down from NY to investigate. It was then that he realized for the first time how much Lexy meant to him. As they had waited in the blackness of the cemetery, Lexy told him a story about herself. She’d been orphaned as a young child… she had terrible, recurring nightmares… Lexy instantly recognized the lights in the cemetery as the ghosts of her parents. When she told him this, he wanted to hold her in his arms."

Eventually, the switch flipped. I want to write again. No, I need to write. I have ideas. I need to do my art. I want to look at old projects and shine them up to send out. I’ve been scribbling down ideas, I started reading a book on the synthesis of scientific theory and spirituality by the Dalai Lama, and I found a beautiful photo of Tempel 1 for my project. I got a documentary on string theory to watch before I attempt Bryan Greene’s book again. I have a stack of articles on the marriage of poetry and cosmology, and my little brown book that I write poems in every day is almost full. And I want to write to Deborah and have her send me my weekly prompts. It is good to be home.

*A list I find pathetically useless, and need no part of.

Tuesday, January 23, 2007

Friday, January 19, 2007

Lifts you up, sets you down.


There is something about waves. My firefighter friend said neurologically, ocean waves and fire produce the same chemical reaction in the brain that feels soothing and calming. He’s had experiences where a bunch of firefighters race to the scene of a burning field then stand there for a moment, mesmerized by the waves of fire before they spring back into action, much to the alarm of the poor farmer who is losing his crop. The calming of a camp fire and the calm of water waves are more closely related than one might think. No surprise, considering that even the tiniest atom is full of waves, that sound and light and energy travel in waves, and we’re surrounded by and comprised of waves all around us. It all really is a giant symphony. I can’t say I’m entirely surprised by this news, though I haven’t researched it myself.

Mexico was lovely. It is the first time since Australia I’ve relaxed in crystal clear waves. Being neck-high in warm sea water, and having a big curvy wave coming with all the power and beauty of the Ocean, and consciously choosing to relax every muscle and let it lift me off my feet and set me to rest a little closer to shore—this is heaven to me. The trip, in general, brought back many memories of Australia, and cultivating a friendship with the ocean in this way, and my dear friend Dan teaching me how to approach the ocean. On this trip in Mexico, S.A. and I played on the beach and perched on the sand and swam, rested, swam, rested, repeat, repeat, repeat. And I would ask him to float me up—put one hand on my lower back and one under my head, and I’d lie on my back and be lifted and lowered, lifted and lowered, and every time I tensed up I’d take a breath and try to relax again. This is harder than you think—trusting it and making a deliberate effort to literally go with the flow. But it feels really good.

I’ll have to remember this when shit hits the fan at work today. There are rumors, people leaving, things getting shifted around and re-organized. There’s some crap going down—that likely wont effect me very much, but will have everyone else in a tizzy—and secrets and all that stuff that surrounds corporate nonsense. You can tell the shitstorm’s coming because first they start buttering everyone up. Our department head just came over and handed me (and a bunch of other people) a check for $50 for no other reason than doing a good job. Highly suspicious. And next they’ll offer us something good—like pizza or ice cream or something—to lure us into the conference room. Then, when we’re good and trapped in there: the news. And I'm gonna glide right through it.

Monday, January 01, 2007

Top Ten Signs You're At A Lame New Year's Eve Party

10. To give it a Times Square feel, everyone is groped, fondled and pick-pocketed

9. "Party hats" look suspiciously like stolen traffic cones

8. "Ball drop" at midnight consists of a trick your Uncle Earl does when he's loaded

7. "Champagne" really apple juice mixed with Alka Seltzer

6. You notice a "Happy 1999" tag on the package of shrimp you've been eating all night

5. The host kicks everyone out at 11:58 so he can go to bed

4. The only guests are you and Richard Simmons, and guess who wants a New Year's Eve kiss?

3. The Amish can do many things well, but throwing parties ain't one of them

2. It's just you and a dozen Mullahs in a cave

1. It's held in March