Actually, I'm writing about YOU. Any other questions?

I bet you other writers out there get this too: People who ask “What are you writing about?” I especially get it from family, who I most often see around holidays. I hate this question. I love that they’re interested, and I appreciate the kind intention behind the question, but it’s impossible to answer. And any answer I try to give is followed by a confused look and “But… what is it about?”

What is it about? Well, I’m working on 2 short stories, an essay and about 19 poems right now. One of my poems includes a character based on my self-destructive sister and the narrator’s relationship with her and her ongoing struggle between the care of herself versus the care of her sister, and finding balance between self and giving love, and the guilt for not being able to do more, and suffering and fear. It’s abstract, so the reader needs to read both for the layer of narrative and the multiple layers of suggested emotional turmoil—pain and healing in the universal sense. I’m trying to a villanelle, using the narrative of a woman with a black eye driving down a gravel road in a pickup truck. In the poem, I intertwine metaphors of what is infinitely small (atoms) and infinitely large (the cosmos) to cause the reader to question mortality and what existence really is about—is it about what matters to us? Should we make an effort to put our impulses and serious problems into perspective? What is a big problem anyway? So it’s also about theoretical cosmology. The history of the universe and physics and theories about how and why we exist. Would you like to hear about my other 21 projects?

I can try to give this answer, or a less painfully personal version of it, but they never know how to respond. I don’t think this is what they want. It’s like when people ask “How are you?” and you know they want to hear “Fine” because they’re asking to show light affection, not to get a real answer.

Giving a general answer doesn’t work. Saying one of my current 22 writing projects is about a girl driving a truck is like saying Animal Farm is about a pig. If Animal Farm is about a pig, then here is what I am writing about:

Nursing homes
Sex
Outer Space
Sledding
Eagles (the band)
Somalia
Grass
Breakups
Cats
Domestic Abuse
Rubber Chickens
Birds
Planets
The Spine
Boats
Ribbons

An incomplete list, but you get the idea: Giving a short answer trivializes the work. I have so many multi-dimensional projects going at once, and even I don’t know what some of them are about. “What are you writing about?” would be more accurate if stated as “Tell me about what you’re doing that’s meaningful to you right now. I know writing is important to you—tell me about that.” That is a warm, good request, especially if followed by attentive listening, an effort to understand and subsequent inquiries.

So: What to do…. Here’s a possible answer: “What I’m writing about is really complex and personal. Trying to explain it quickly wouldn’t really do the work justice, but thanks for asking. I’m working on several pieces right now about relationships and philosophy. When I get published, I’ll bring you a copy.” There—I just killed both “What are you writing about?” And “When can I read something?” with one stone. Now, for a response (be sure to look at the cartoons) to “I’m thinking about writing a book when I’m done with my next knitting project. It sounds fun.”

Rothko

I’m in a coffee shop down the street from me that feels oddly empty and quiet. It isn’t empty. Every table here has one occupant each, and I just noticed that I’m the only woman. The walls are large and bare and mostly white except for a scene painted on them in one color with no variation—a sort of tomato orange. The scene is solid and has distinct corners. Part of the mural is of an abandoned warehouse with broken windows, which takes up 1/3rd of one of the walls, and the rest of the walls are painted with a silhouette of telephone poles and connecting wires that cross and sag along the rest of the walls.

I can sort of see it—an urbanite wants to open a coffee shop, so she gets a retail space sort of in the hip neighborhood but on side streets so she can afford it. She brings in an artistic consultant. He comes into the room, puts his hand to his chin and after a moment says, “I’ve got it. I see white. I see a red—no, orange—no, red-orange. I see [dramatic pause] telephone poles. Rows and rows of telephone poles.”

I’m sitting by the wall by the cracked-up orange warehouse and my shirt, oddly, is the same red as the paint. It looks planned. Everyone is quiet here. Most of the men look like they came home from whatever work wherever, ate something and fell asleep in front of the television for 15 hard minutes, then woke up with a start and thought “I have so much shit to do. I have to get out of this apartment.” Two of them are holding up their heads by resting their chin in a hand and an elbow on the table. I kind of wish my cell phone would ring.

All the men have white coffee cups except the guy with the hair straight up and the cowgirl boots. There are large, bulbous lamps on each table that look like trees from The Lorax. I’m drinking a lemon soda called Bubble Up! And sitting in a chair covered in gold-flecked plastic. There’s definitely some sort of 50’s theme going on here.

All of us are here for company and we know it. There are five tables against each wall and behind us and behind the light from the Lorax Trees, orange telephone wires connect us at the shoulder or head, and I think about wires. Telephones with hearty coiled cords and grounded computers and the speaker in my car with a loose and unreliable wire "I'm wired," how obsolete telephone poles already are. I think of how 50’s homemakers cried the day a husband wheeled the first television into the living room because otherwise, there had very little access to the outside world, except in books and radio and imagination.

The tables are full here because our own walls are not covered in orange telephone poles and we need something that isn’t what we’re surrounded by all the time, even though we’ll stare at our screens and books like I have for over eight hours already just today. And we need people—silent is fine, just to be around more people. In the same room with them. Six Dells. Three Macs. Four Razors. Us. We probably won’t talk.

Epitaph: Foolish humans, never escaped Earth.- Vernor Vinge

Hemmingway once wrote a really short story. It goes like this:

"For Sale: Baby Shoes. Never worn."

Wired Magazine asked authors to write a 6-word short story. Here are some of my favs:

Longed for him. Got him. Shit. - Margaret Atwood
Failed SAT. Lost scholarship. Invented rocket.- William Shatner
Computer, did we bring batteries? Computer?- Eileen Gunn
Gown removed carelessly. Head, less so.- Joss Whedon

Then I tried some of my own:

Submerged crocodile licks lips.
“Romantic swim?”

**

Broken vows generate escape velocity.
Freedom.

**

Tequila in Minneapolis?
Breakfast in Tijuana.

**

Here he comes! Run for your—

OKAY, your turn.

Thesis? Piece of cake.

Miz Voix de Michele is handing in the first draft of her thesis today. Do go congratulate her.

Four

Shamelessly ripped off from other bloggers:

Four jobs I have had in my life:

Worm sorter. (Bait.)
Maid.
Wine Club Manager.
Medical Writer.

Four jobs I think would be neat:

Scuba diving instructor.
Travel writer.
Musician.
Nun. The good kind. Especially if I could fly.

Four places I’ve lived:

Rural Indiana
Oxford, England
Portland, Oregon
Perth, Western Australia

Four places I’ve been on vacation:

Cabo
New Orleans
Wyoming
Prague

Four TV shows I love to watch:

Jeopardy
Oprah
Some sitcoms from before 2003
The Universe shows on PBS

Four of my favorite foods:

Thai curry w/ tofu and veggies
Ruffles and French onion dip
Gourmet chocolate and red wine
Enchiladas

Four places I’d rather be right now

Cottesloe Beach
The Walk Café in Subiaco
Road tripping through South America
A cabin in the mountains with lots of windows.